MEET THE ARTISTS: The Historic Hudson River School
Published: Mar 18, 2021
Sanford Robinson Gifford (1823–1880), A Ledge in the Catskills
Sanford Robinson Gifford (1823–1880), Study for “Morning in the Adirondacks, 1867”
Worthington Whittredge (1820–1910), Mountain Forest
Worthington Whittredge (1820–1910), Flood on the Delaware, 1880
William Trost Richards (1833–1905), The Evening Sea, Brigantine, Shoals
William Trost Richards (1833–1905), Moonrise over the Beach
John Frederick Kensett (1816–1872), New England Coastal Scene with Figures, 1864
John Frederick Kensett (1816–1872), Mount Chocorua
Jervis McEntee (1828–1891), Wooded Landscape, 1878
Jervis McEntee (1828–1891), Walking at Sunset
Jasper Francis Cropsey (1823–1900), Island in the Hudson
Jasper Francis Cropsey (1823–1900), Winter Scene, North Conway, New Hampshire, 1859
David Johnson (1827–1908), Passing Storm Clouds, 1869
David Johnson (1827–1908), Smith Farm, 1893
PHOTO CREDITS:
1. Sanford Robinson Gifford, ca. 1870. Sanford Robinson Gifford papers, 1840s-1900. Archives of American Art, Smithsonian Institution.
2. M. Louise Green. Worthington Whittredge painting, ca. 1900. Worthington Whittredge papers, circa 1840s-1965. Archives of American Art, Smithsonian Institution.
3. William Trost Richards painting, ca. 1900. William Trost Richards papers, 1848-1920. Archives of American Art, Smithsonian Institution.
4. John Frederick Kensett. Albumen silver print by Napoleon Sarony. National Portrait Gallery, Smithsonian Institution.
5. George Gardner Rockwood and Napoleon Sarony. Copy portrait photograph of Jervis McEntee, 1978. [Artists’ portraits from Henry Tuckerman’s Book of the Artists…], circa 1865]-1867, undated. Archives of American Art, Smithsonian Institution.
6. Jasper Francis Cropsey. Albumen silver print by Napoleon Sarony. National Portrait Gallery, Smithsonian Institution.
7. David Johnson, 1860s. Albumen silver print. The Metropolitan Museum of Art, New York, New York. The Albert Ten Eyck Gardner Collection, Gift of the Centennial Committee, 1970.
