Sold
Winter Day, 1928
36 x 36 inches
Signed and dated lower right: Carl Wuermer / 28
Provenance
Collection of John F. Triepel (1899–1985)
Estate of Sidonie (Triepel) Williams, Buffalo, New York
Sale, Cottone Auctions, Geneseo, New York, March 27, 2025, from above
Exhibited
(Possibly) Paintings by Karl A. Buehr, Francis Chapin, Arthur B. Davies, J. Theodore Johnson, John A. Seplman, Paul Trebilcock, Charles Wilovsky and Carl Wuermer, Art Institute of Chicago, Illinois, June 25–October 1, 1928
National Academy of Design, New York, New York, Winter Exhibition, 1928 (awarded J. Francis Murphy Memorial Prize)
THE AMERICAN FEDERATION OF ARTS: Traveling Exhibitions: Engagements from February to June, 1929, College of Industrial Arts, Denton, Texas, February 11–25, 1929; San Antonio Art League, San Antonio, Texas, March 15–30, 1929; Sam Houston State Teachers College, Huntsville, Texas, April 1–14, 1929; Galveston Art Lague, Galveston, Texas, April 15–30, 1929
O’ Brien Art Galleries, Chicago, Illinois, Exhibitions of Paintings by Carl Wuermer, October 26–November 7, 1931
Literature
Paintings by Karl A. Buehr, Francis Chapin, Arthur B. Davies, J. Theodore Johnson, John A. Seplman, Paul Trebilcock, Charles Wilovsky and Carl Wuermer (Illinois: Art Institute of Chicago, 1928), 99, no. 19
The Annual Exhibition Records of the National Academy of Design, 1901–1950 (Connecticut: Sound View Press, 1990), no. 213
Chicago Evening Post (Illinois: Chicago Evening Post, 1928), August 14, 1928
Note
Winter Day exemplifies Wuermer’s exceptional talent in handling complex perspectives, praised specifically by R. A. Lennon in the Chicago Evening Post on August 14th, 1928, as “a very cleverly handled perspective,” providing “a contrast to the general quiet tone of other landscapes.”
This outstanding work was awarded the prestigious J. Francis Murphy Memorial Prize at the National Academy of Design, New York, in 1928, further solidifying his artistic excellence. Winter Day was prominently exhibited across notable venues, including the Art Institute of Chicago, the National Academy of Design’s Winter Exhibition, the American Federation of Arts, and various esteemed galleries throughout Texas and Illinois, underscoring the painting’s widespread acclaim and lasting significance within American landscape painting.

