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Sunday after the Meeting, 1878

James M. Hart (1828 - 1901)
Oil on canvas
40¼ x 60 inches
Signed and dated lower left: James M. Hart. 1878

Provenance

Alexander Gallery, New York, New York

Private collection, acquired from above, 1981

Sale, Sotheby’s, New York, New York, January 19, 2024, lot 60, from above

Exhibited

(Probably) Detroit Institute of Arts, Michigan, ca. 1992 (on loan)

Vero Beach Museum of Art, Florida, A Wilder Image Bright: Hudson River School Paintings from the Manoogian Collection, January 31–March 28, 2004

Crooked Tree Arts Center, Petoskey, Michigan, American Paintings from the Manoogian Collection, May–August 2009

Savannah College of Art and Design Museum of Art, Georgia, Nature’s Banquet: 19th Century American Paintings from the Manoogian Collection, January 21–March 30, 2010

Vero Beach Museum of Art, Florida, The American Spirit: Selections from the Manoogian Collection, October 15, 2016–January 8, 2017

Literature

Michael Kammen, Meadows of Memory: Images of Time and Tradition in American Art and Culture (Austin: University of Austin Press, 1992), 126, note 48.

Kevin Sharp, A Wilder Image Bright: Hudson River School Paintings from the Manoogian Collection (Vero Beach, FL: Vero Beach Museum of Art, 2004), 130–31, no. 33.

Related Works

Landscape with Hunter, oil on canvas, 16½ x 24⅝ inches; Museum of Art and Archaeology, University of Missouri, Columbia, Missouri

Peaceful Homes, 1868, oil on canvas, 51 x 93½ inches; Allen Memorial Art Museum, Oberlin, Ohio

Morning in New England, 1873, oil on canvas, 20¼ x 34⅛ inches, signed and dated lower right; The Cleveland Museum of Art, Ohio

From Shifting Shade, 1887, oil on canvas, 36 x 54¼ inches, signed and dated lower left; The Metropolitan Museum of Art, New York, New York

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