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Red Sun
18 x 32 inches (sight size)
Estate stamp lower right: C. E. BURCHFIELD FOUNDATION 44
Provenance
The artist
Estate of above
Rehn Gallery, New York, New York
Sid Deutsch Gallery, New York, New York
Private collection, acquired from above, 1976
Estate of above
Meredith Ward Fine Art, New York, New York
Exhibited
Charles Burchfield 1920: The Architecture of Painting, DC Moore Gallery, New York, New York, March 18–April 25, 2009; Columbus Museum of Art, Ohio, May 22–August 2, 2009; Burchfield Penney Art Center at SUNY Buffalo State, New York, August 29–November 29, 2009
Literature
Charles Burchfield 1920: The Architecture of Painting (New York: DC Moore Gallery, 2009), 81, 109.
Related Works
Cottages in the Winter Rain, ca. 1920, watercolor, pencil, and charcoal on paper, 17½ x 31 inches; Whitney Museum of American Art, New York, New York
February Thaw, 1920, watercolor on paper, 17 15/16 x 27 15/16 inches; Brooklyn Museum, New York
Snow Patterns, 1920, watercolor on paper, 15½ x 31½ inches; Burchfield Penney Art Center at SUNY Buffalo State, New York
Note: In his journal dated 1919, Charles Burchfield describes:
Winter dawn is like something calm & self contained – down on the hill above the factories – The smoke goes up from a hundred chimneys into the quiet air; straight up then bends suddenly, eastwards – It forms a brown veil at this height and hangs motionless over the town; from the factories & railroads comes an exciting roar of machinery; that complements the steady up-pouring of smoke – There is romance at every angle.[1]
Speaking about Burchfield’s house pictures of 1918–1920, art critic and scholar Michael D. Hall proposes that “rather than being casual signs of artistic transition, these works collectively signal a conscious effort on Burchfield’s part to address the emergent Modernism redefining American art around him in the second and third decades of the 20th century.”[2]
[1] Charles Burchfield, Journals, December 22, 1919, accessed https://burchfieldpenney.org/about/news/article:charles-e-burchfield-em-journals-em-december-22-1919/.
[2] Michael D. Hall, “Cones, Cubes, and Brooding Shacks: Charles Burchfield’s House Pictures 1918–1920,” in Charles Burchfield 1920: The Architecture of Painting (New York: DC Moore Gallery, 2009), 12.


