Ironbound Island, Maine, 1922
11⅜ x 20¾ inches
Signed lower left: John S. Sargent / 1922
Provenance
Sale, Christie’s, London, United Kingdom, July 24–27, lot 56
Knoedler & Co., London, United Kingdom, acquired from above
John F. Harris, New York, New York, 1925, acquired from above
Mrs. John F. Harris, from above
Sale, Christie’s, New York, New York, Private sale
Private collection, New York, New York, acquired from above
Exhibited
Knoedler & Co., New York, New York, An Exhibition of Paintings by the late John Singer Sargent, R.A., November 2–14, 1925, no. 30
Literature
An Exhibition of Paintings by the late John Singer Sargent, R.A (New York: M. Knoedler & Co., 1925), 3.
Pictures & Drawings of the Late John Singer Sargent, R. A. (London: Christie, Manson & Woods, 1925), 9.
Note
John Singer Sargent is renowned for his exquisite oil portraits. However, his watercolors reveal an entirely different side to his artistry. In contrast to the precision of his oil paintings, Sargent’s watercolors are marked by a freer, more expressive touch – imbued with spontaneity and vitality. Sargent seemed to revel in the act of painting with watercolor, using his brush to indulge in pure, unrestrained joy.
This watercolor depicting Shag Ledge on the eastern shore of Ironbound Island, Maine, exemplifies this expressive approach of his. The block-like rocks in the foreground are shaped through fluid, contrasting strokes of light and dark, giving them a solid, rhythmic presence. Meanwhile, the towering cliff faces brims with tension, evoking an undercurrent of natural threat and unease.