A National Park Devoted to American Impressionism

Published on April 20th, 2012 | Posted in Essays

Weir Farm National Historic Site is the only National Park dedicated to American painting. Acquired by the artist Julian Alden Weir in 1882, the sixty-acre Connecticut farm became a cradle of American Impressionism. Tomorrow is the start National Park Week, running April 21–29, and special events and activities are planned to celebrate the site, including a tour of the painting locations at the farm that inspired the landscapes of Weir and his comrades.

Weir was born into a family of important American artists; his father, Robert Walter Weir, and brother, John Ferguson Weir, were both accomplished Hudson River School painters and professors. With the encouragement of his family, Weir spent four years studying in Paris with master academic painter Jean-Léon Gérôme and traveling throughout Europe. When he returned to New York in 1877, he founded The Tile Club, a social club for young artists such as William Merritt Chase and Winslow Homer. In 1883 he made the Connecticut farm, known as The Land of Nod, his permanent home and began to develop his mature style, deeply influenced by both Japanese landscape painting and French Impressionism. As American Impressionism grew, Weir became part of a group known as the Ten American Painters. Many of these men spent time with Weir at his farm, taking inspiration in the bucolic landscape, including: Childe HassamJohn Singer Sargent, and John Twachtman.

When the farm became the home of Weir’s daughter, Dorothy, and her sculptor husband, Mahonri Young, it continued its legacy of artistic inspiration. The final owners, painters Doris and Sperry Andrews, were dedicated to preserving the farm as it had been during Weir’s time and protecting the open space from developers. In 1990, it became Weir Farm National Historic Site, the only National Park honoring American painting and the first National Park in the state of Connecticut, thus acknowledging the site’s importance in the development of American Impressionism.

Julian Alden Weir, his sister-in-law Ella, and Mr. and Mrs. Childe Hassam at Weir Farm. Collection Weir Farm National Historic Site.

 

Julian Alden Weir (1852–1919), The Laundry, Branchville, ca. 1894. Collection Weir Farm National Historic Site.

Nina Sangimino is the Research Associate at Questroyal Fine Art. She earned an M.S. in art history from Pratt Institute and a B.A. in the same field from the University at Albany. Prior to joining Questroyal, Nina was Curatorial Apprentice at the Vanderbilt Museum in Centerport, New York.

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2 Responses to “A National Park Devoted to American Impressionism”

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  1. kate knapp says:

    Thank you for your interesting post on the Weir Farm…I actually grew up painting there with Sperry Andrews , his daughter is still my dearest freind…what an inspiring place to spend time…the studios were still filled will artifacts of the previous artists,Weir and Young…I have recently done a still life of Weir’s turpentine bottles given to me when the family was moving off the property…the National Park could not take any toxic materials…their loss my gain…Sperry Andrews was an excellent painter,very undervalued, following in the great American traditon…I will continue to check out this blog…I appreciate your gallery and the intelligent info about recent aquisitions etc…I also have a blog to keep distant freinds and collectors abreast of new work….kateknappartist.blogspot.com…thanks again!

  2. Trevor says:

    I wish I had read your post sooner because I was just in Connecticut last week and I would have loved to have visited this place. I will certainly go there when I go back in a few months. Thank you!

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